Rhapsodie Quartet’s free recital is this Wednesday. Catch them before they escape to Germany! http://www.madisonsymphony.org/rhapsodie
Rhapsodie Quartet’s free recital is this Wednesday. Catch them before they escape to Germany! http://www.madisonsymphony.org/rhapsodie
The Madison Youth Choirs are joining Sam Hutchison in the Overture Concert Organ season this year. And their spring concert is at Overture this Sunday
Have you ever heard anything like this?
http://youtu.be/N1CdBxGurCI?t=8m6s
Harpist Chloé Tula, one of the winners of the MSO’s Bolz Young Artist Competition, will play this work at Concert on the Green, Mon June 17. Early-bird deadline to save $20 on your ticket to the cocktail party, concert and picnic is this Friday.
The Rhapsodie Quartet heads to Germany for their first international tour this June, and you can hear them on Wed May 22 at Capitol Lakes. The recital is free with a $5 donation suggested at the door. www.madisonsymphony.org/rhapsodie
John DeMain is at the Kennedy Center this month, conducting Washington National Opera in a month-long run of Show Boat.
MSO first violinists and sisters Alice and Eleanor Bartsch are featured soloists in this season’s Overture Concert Organ season. Subscriptions were just released today. www.madisonsymphony.org/organseason
Check out our Director of Education and Community Engagement Michelle Kaebisch on the Isthmus’ Meet Madison.

It’s the 20th anniversary of our beloved Maestro’s arrival at the Madison Symphony Orchestra, and we can’t wait for the celebration coming up in our 2013-14 season. You can explore the full season on our website, but here are some highlights:
We hope you’re as excited as we are. Subscribe today for the best seats and prices!

From Madison Magazine:
The ovation, largely and quickly a standing one, was prolonged; apparently the Friday night subscribers at least have fully embraced Greenholtz as one of the family.
From The Isthmus:
Greenholtz is clearly a gifted player, and she displays skill and confidence. What struck me was her avoidance of the flashy, and a sensitivity to the real power that lies behind the virtuosic passages as well as the lovely melodies.